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October 2011: Using Brass and Glass to Create Concrete Poetry

Posted on October 1, 2011 by

(October 2011 Vol. 11 No. 5)

vol-11-no-7-october-2011
As concretists, each of us defines ourselves as “one who practices concrete poetry.” As we craft this material, we are crafting a poem. At the most basic level, that poem can be a haiku — deceptively simple. (Read more…)
Oct_20111

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  • Archives

    • Media
      • May/June 2012: Reactive Stain Effects Using Household Items
      • October 2011: Using Brass and Glass to Create Concrete Poetry
      • July 2011: I Have Seen the Future, and It Is Gray
      • April 2011: Let’s Be Careful Out There
      • Feb/March 2011: Staining Was Never Easy, But Now It’s Complicated
      • January 2011: Patina Stains and Embedded Fish in Wyoming
      • Nov/December 2010: Freehand Means Freedom for You and Your Customer
      • October 2010: Lead Bricks and Black Holes: Weight and Scale
      • Aug/September 2010: Berkely’s Street of Concrete Dreams
      • July 2010: A Tale of Two Topping Slabs
      • May/June 2010: Good/Evil, Day/Night, Color/No Color
      • April 2010: Bubbles, Balloons and Broken Glass: Concrete Ideas from Outside the Box
      • Feb/March 2010: Far Far Away
      • January 2010: Entering the Strata-Sphere
      • Nov/December 2009: Residential Concrete Reminiscences
      • Sep/October 2009: Underappreciated Structural Slabs Can Be Recycled
      • June/July 2009: Designing Concrete That Is Maintenance Free
      • May 2009: This Stamp is No Cookie Cutter New-school Methods of Concrete Embossing
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